Song of the Sparrow

Sandell, Lisa Ann. 2007. Song of the Sparrow.

Song of the Sparrow is a wonderful verse novel that retells the story of Elaine the Lady of Shalott. While the literary tradition has her as beautiful but essentially weak and desperate, Sandell's Elaine is strong, brave, and while she, for a time, is lovesick on Lancelot, she is not too desperate or clingy. (Not, I'll die without his love desperate.) Meet Arthur, Elaine, Gwynivere, Lancelot, Tristan, and Gawain in this new telling of love and war. The poetry is powerful and quite effective in communicating the behind the scenes emotions as well as capturing the senses--especially the sights and sounds of battle camps and war.

Here is a snippet from the tenth chapter:

I wish I could go back to that time,
when my mother would smile
the gentle smile that told me,
all is right and well.
Back to that time when I was
young
and loved
and safe.
When we were all safe.

That things change,
that people change,
and die,
that we grow older,
that life brings the unexpected,
the unwanted,
oh,
some days it feels me with
a measure of lightness, for
I will be a woman soon.
But other days,
the very thought
of growing older,
of not being that small girl
who danced over river rocks,
whose brothers held her hands,
whose mother lived,
the very thought of it
crushes me,
till it is stopped,
by the world
outside
my memories.

Total Constant Order

Chappell, Crissa-Jean. 2007. Total Constant Order.

Frances Isabelle Nash (Fin) is a teen under pressure. Within the past year, she's moved from Vermont to Florida, her parents have divorced, and she's feeling overwhelmed with urges to count and draw. These 'strange' compulsions to flick light switches, to draw objects with a certain number of points, or draw things a certain number of times, have been increasing over the past few months. Fin is also finding it more and more difficult to sleep.

Under much duress, Fin starts seeing a therapist who prescribes Paxil. But Fin discovers that prescription medications can sometimes have side effects that just aren't worth it. Around the time that she's trying to come to terms with having obsessive-compulsive disorder (OCD), she meets a boy who changes how she views everything: Thayer.

To read the rest of the review where I discuss how much Thayer impacts her life....visit The Edge of the Forest October/November edition. If you're reading this posting later...after the fact...then look for it in the Edge of the Forest archives.

A Crooked Kind of Perfect

Urban, Linda. 2007. A Crooked Kind of Perfect.

I read this book initially for Dewey's 24 Hour Read-a-thon. Now, less than a week later, I have reread this little gem of a book. It's a book that I would describe as practically perfect in every way. (I don't know if Linda Urban would want me to stress the near-perfect part since the message of the book seems to be that nobody can be perfect, that life isn't perfect. But even the message seems perfect to me.) Our heroine, Zoe Elias, is ten-going-on eleven. She has one dream--a very big dream. She wants to play the piano. In what could be one of the best openings of all times we read about "How It Was Supposed To Be" versus "How It Is."

I was supposed to play the piano.
The piano is a beautiful instrument.
Elegant.
Dignified.
People wear ball gowns and tuxedos to hear the piano.
With the piano, you could play Carnegie Hall. You could wear a tiara. you could come out on stage wearing gloves up to your elbows. You could pull them off, one finger at a time.
Everybody is quiet when you are about to play the piano. They don't even breathe. They wait for the first notes.
They wait.
They wait.
And then you lift your hands high above your head and slam them down on the keys and the first notes come crashing out and your fingers fly up and down and your foot--in its tiny slipper with rubies at the toe--your foot peeks out from under your gown to press lightly on the pedals.
A piano is glamorous. Sophisticated. Worldly.
It is a wonderful thing to play the piano.

The next chapter...Zoe's reality...

I play the organ.
A wood-grained, vinyl-seated, wheeze-bag organ.
The Perfectone D-60.

That's it. The entire second chapter. What a statement! But I better watch my exclamation points in this review, just in case Zoe (or her creator) is reading. Zoe really doesn't like the excessive and unnecessary use of exclamation points.

Zoe's life isn't perfect. She wants to play piano, but she's stuck with the Perfectone D-60. She wants to be playing real music. She's stuck with beginning level songbooks like Television Themesongs and Hits from the Seventies. And her social life? Well, she's been recently dumped by her best friend because her friend's interests are changing--lip gloss, tv, music, clothes, and boys. That leaves Zoe with no one to sit with at lunch, doesn't it?

Enter Wheeler.

Usually, Wheeler Diggs is a mess.
Except his hair.
On anybody else, his curly hair might look goofy, but on Wheeler Diggs it looks just the right kind of wild. And it's dark, which makes his blue eyes look even brighter. And his smile, which is kind of lopsided, looks like he's trying not to smile, but he can't help it.
Which is why, sometimes, every once in a while, somebody will smile back. And sometimes, most of the time, those people will get punched in the stomach. Which is why even the kids who sit with him at lunch are a little bit scared of him and why, really, Wheeler Diggs doesn't have a best friend, either. (58-59)

Wheeler and Zoe are the unlikeliest of friends. But when he follows her home from school one day--to get his hands on some more of her dad's cookies--it's the beginning of an odd but satisfying friendship. Though Zoe doesn't admit this for the longest time. In this book, the reader sees if practice really does make perfect. . .and if wishes really can come true.

The characters, the relationships are about as perfect as can be. I've never seen family dynamics so well captured, so well displayed. Linda Urban has created memorable, authentic characters. The book has it all--moments of happiness, frustration, disappointment, loneliness, and joy. And plenty of humor!

It kind of goes without saying, but for the record...this is one that I love, love, loved!

Linda Urban's website is great too! (I better watch those exclamations.) You can find the recipe for Bada-Bings cookies. You can read her thoughts on writing 'the perfect' book. (She writes in part that: "There is no perfect book. But there is a novel to be written that is perfectly you.")
And of course, you can find out more about Linda Urban on her bio page. She also has a livejournal page where you can read her latest thoughts.

Before, After, and Somebody In Between

Garsee, Jeannine. 2007. Before, After, and Somebody In Between.

This book is a good book. But it is essentially the story about a young teen girl with an identity crisis. Her name is Martha. Martha Kowalski. Never has a teen girl hated her life more. Her drunk and neglectful mother. Her mother's abusive mother. Her equally impoverished neighbors living in the tenements. Her school. Her classmates. Nothing at all is going right in her life. She has one or two friends. But their lives are equally messed up. One has a mother dying of AIDS, one has been abandoned my a mother addicted to drugs. The last one also lives in an abusive environment where they beat a toddler. So who would want to be that girl if given another option. Certainly not Martha. When Martha is given--through dire circumstances--the opportunity to transform into Gina Brinkman, she jumps at the chance. Gina lives in a nice neighborhood. A rich neighborhood. Gina goes to an elite school. Gina has nice clothes and a bathroom all her own. (If I recall correctly.) Gina is a material girl. She can have a thousand luxuries that are new to her. And most of all, she feels like she's escaped the harsh realities of her life. But life is never that easy. Never that black and white. Never that clear cut. Who is she really deep down inside? What kind of girl is she?

This book has many ugly sides to it--the alcohol, the drugs, the physical and verbal abuse, sex, violence, etc. Martha is a character that doesn't really embrace the truth if she can get away with a lie. She lies. She lies a lot. Sometimes to other people. Sometimes only to herself. This is another book that shows that actions have consequences. Big consequences. And that life is full of hard choices. Choices you'll have to live with the rest of your life.

Overall, I liked it. It was well-written. This is a very human, very frail, sometimes cruel, sometimes naive narrator.

Thirteen Reasons Why

Asher, Jay. 2007. Thirteen Reasons Why.

Hello, boys and girls. Hannah Baker here. Live and in stereo...No return engagements. No encore. And this time absolutely no requests...I hope you're ready, because I'm about to tell you the story of my life. More specifically, why my life ended. And if you're listening to these tapes, you're one of the reasons why....I'm not saying which tape brings you into the story. But fear not, if you received this lovely little box, your name will pop up...I promise. (7)

Before Hannah Baker ended her life with an overdose of pills, she wanted to leave behind a message. She recorded seven tapes--thirteen sides--that revealed bit by bit her drama and why she, in the end, felt like she had no other options. Clay Jensen is one of the tape's recipients. He is our narrator or guide through this listening experience. We hear Hannah's words alongside his thoughts and words. Hers are italicized. His aren't. He came home from school one day to find this package--a shoebox wrapped in paper and mailed--on his front porch. And from the time he first hits play...his life will already never be the same.

I wish I'd never seen that box or the seven tapes inside it. Hitting play that first time was easy. A piece of cake. I had no idea what I was about to hear. But this time, it's one of the most frightening things I've ever done. I turn the volume down and hit play. (9)

Clay Jensen at first feels like it's some kind of mistake. He never did anything to Hannah. He worked side by side with her at the movies. They made small talk. And one night--at a party--they made out. That's it. Why would he be to blame for her death? He couldn't, could he?

As the story unfolds, the reader learns that some actions have unforeseen consequences. A bit of gossip here or there, a rude word there, etc. Some were quite malicious--like her first boyfriend whose imagination got carried away with him. He ruined her reputation after their very first date. And why? Because he liked to talk big with the guys. Or how about the guy who labeled her the hottest a** in class? From then on, guys who were practically strangers tried to get away with grabbing her butt. Or how about the peeping tom who stalked her outside her bedroom window? Some people on the tapes are evident creeps and jerks...others seem more shocking.

Thirteen Reasons Why is without a doubt one of the best books of the year. Why? It isn't because it's sad. It isn't because it's about suicide. It isn't because it's dramatic. It's because it's well-written; it's real. The characters--from Hannah and Clay through all of the minor characters that come up as "reasons" such as Justin and Brent and Jenny--are so real, so well-developed, so human. The story is haunting and it's easy to understand why Clay's life will never be the same. How Hannah's death and life have changed him. Clay couldn't stop until he'd heard the tapes; I couldn't stop from reading til her story was through. It was very gripping, very haunting.

Dracula by Bram Stoker

No man knows till he has suffered from the night how sweet and how dear to his heart and eye the morning can be. (46)

I chose to read Dracula for many reasons. But here are the top two: 1) My friend, Julie, is directing Dracula at the local community theater this October. She's been talking about it for weeks. (This is her first time to direct in this community.) And she's been telling me how wonderful it is...and how much I'd love it. How the writing, the language, the imagery, is just incredible. And I do want to be a supportive friend and all. And she's never disappointed me before when she's recommended a book. 2) It is one of the 'perils' in the R.I.P. II Challenge.

All men are mad in some way or the other; and inasmuch as you deal discreetly with your madmen, so deal with God's madmen too--the rest of the world. (115)

Let me say this now, it was SO good and SO different from how I expected. I'll admit that the first chapter didn't hook me. The format--letters and diaries--took a little bit of getting used to. (I'm not used to suspense being dispensed in that way.) But soon enough, I was hooked. I had not realized this story was told through so many narrators--and each one is unique and well-developed. I read most of it on Saturday afternoon/evening in fact. I didn't want to put it down. But I couldn't finish the last hundred pages or so until the next day. But I did finish it last night, Sunday, and it was just incredible. It was so intense, so suspenseful, so teasing, so memorable, so haunting, so tragic, so good. It was just a WOW book for me.

We have been blind somewhat; blind after the manner of men, since when we can look back we see what we might have seen looking forward if we had been able to see what we might have seen! Alas, but that sentence is a puddle; is it not? (300)

Tamar by Mal Peet

Peet, Mal. 2007. Tamar.

This book is the WINNER OF THE CARNEGIE MEDAL. It says it right there on the front cover. So I won't feel too badly for being honest in my review of it. It's already won an award. It is already being talked about as a good--if not great--read of the year. It's not that I hated Tamar, which is "a novel of espionage, passion, and betrayal." It's that I felt uncomfortable with it. Two young men are working undercover in Nazi-occupied territory. Tamar is the story of what happens when they both fall in love with the same woman. Also what happens when insanity takes control of a person. Not just one of the main characters, but in some of the minor ones as well. I suppose it falls under the heading of 'war changes a man and makes him do things he never thought he was capable of.' Tamar is the code name for one of the men. So decades later, when the son of one of these two men is expecting a baby, the father makes a request...to name the baby (if it's a girl) Tamar. This causes a very strange reaction from the soon-to-be-grandmother. Though it's not quite apparent to the readers why.

The big secret is revealed slowly and suspensefully within both timeframes. The undercover spies provide the narrative in 1944-1945. And the grandaughter Tamar provides the narrative in 1995 and 2005.

Mal Peet's Carnegie Medal-winning masterpiece is a story of violence and resistance, love and deception, loyalty and betrayal.

If violence, deception, and betrayal sounds like a good way to spend the afternoon....then Tamar may be the book for you.

S
P
O
I
L
E
R

Reading about murder--even if it is belatedly related to a crime of passion--has never really been my cup of tea. So to watch this plot unfold chapter by chapter was just painfully uncomfortable for me. It wasn't that it was poorly written. It was that I didn't want to go where it was taking me. It was well written. The characters were well developed. I just had a hard time liking most of them.

Does My Head Look Big In This by Randa Abdel-Fattah

Abdel-Fattah, Randa. 2007. Does My Head Look Big In This?

I have mixed feelings about Does My Head Look Big In This? My enthusiasm for the novel was not particularly consistent. (I liked the first third, I really liked the middle third, and I loved the last third.)

Amal Mohamed Nasrullah Abdel-Hakim is both your typical and untypical teen. As a Australian-Muslim-Palestinian, she feels she got "whacked with some seriously confusing identity hyphens" (5). To question one's identity is fairly typical--very standard--in YA literature. To deal with questions of race, prejudice, and faith is again fairly typical. But in most cases the race and faith in question is not Muslim (and Middle-Eastern). Hence why she is both typical and untypical. This makes the book good, but at times difficult to evaluate. Amal is a character that at the same time wants to be like everybody else, but she wants to be seen as special, unique, and one-of-a-kind. She wants to not stick-out in a crowd as being 'the Muslim' yet she is very proud of her culture, her religion, her faith. She wants to have it all. She doesn't want people to point, stare, and laugh. But she wants to be noticed. She wants to stand out. Again, I think that all teens--all people--go through a stage where they feel that the whole world is looking at them, staring at them, evaluating them, critiquing them, judging them, laughing at them, etc. I think every teen has the feeling that everyone is noticing them--watching for all the little flaws, waiting for them to make a mistake, etc. This sense of heightened awareness and the feeling that everything they do is more important that what it actually is. It is like going through life--your whole day, your whole week--like every moment could potentially be your most embarrassing moment ever. [Does that make any sense at all? What I'm trying to say is that they might be *imagining* the world is laughing at and judging them when really...no one is really paying that much attention.]

Amal is ready to wear the hijab. Inspired by an episode of Friends, where Rachel braves the crowd to perform Copa Cabana after an embarrassing walk down the aisle, Amal has made her decision. Her first day of school--in what is essentially her junior year in high school--will be the first day she'll wear the hijab (and be covered) in front of her classmates at McCleans Preparatory School. What the book does not mention until halfway through--and what really makes a difference in appreciating the novel--is that this school year is 2002. It has only been a year since the 9/11 attacks in America. (That anniversary is covered in the novel.) So this is when tension--global tension--is at an all-time high. This attack is still fresh, the wounds still on the surface. There has been no healing. So prejudice is in many ways more out in the open than one would naturally expect.

Amal doesn't know quite what to expect from her classmates--boys and girls--she doesn't know if she'll be teased, laughed at, ridiculed, called-names, etc. For the most part, her close circle of friends accept her. They're proud of her. Embrace her with open arms. It takes the rest of the class a few more days--to get used to this new image--before they're minds are made up one way or the other. But let's just say her circle of friends expands through the year, it is not that they're not kids who give her a hard time--there is the typical bully who likes to slander and ridicule and mock all the lowly students she deems unworthy--but she finds a great support system.

But this book is about more than being a Muslim. It is about being a teen. It is about being not quite grown-up and having growing pains. Of wanting more freedom than parents are willing to allow. It is about friendships. Amal hangs out with her friends. All the time. Friends are what her world revolves around at times. And the book does a great job in fleshing out these characters and their families.

So the issues faced are in many, many ways that of a typical teen. She is a teen with problems and issues that most kids can relate to and understand. But she is unique too. It's all a balancing act between being 'just like everyone else--especially your friends' and 'being yourself.' Which again I think is fairly normal stuff. At times Amal seems mature, and at other times immature. Sometimes she seems wise, sometimes she seems foolish.

Anyway, what annoyed me at times was Amal's behavior. At times she was disrespectful to her parents and to authority figures in general. And the same things that annoy me about other teen heroines--such as Georgia Nicolson--annoy me about Amal. She can be at times a bit whiny in spots. She can be disrespectful and sarcastic in her narration. But overall I do like her. And I did enjoy this book.

Dragon's Keep by Janet Lee Carey

Carey, Janet Lee. 2007. Dragon's Keep.

I loved Dragon's Keep. It was just so good. Rosalind is a princess. That means her life must be perfect, right? Doesn't royalty bring with it perfection? Doesn't being a princess make you entitled to having EVERYTHING you ever wanted? Not if your Rosalind. Rosalind and her mother, the Queen, are keeping a secret. A big secret. Rosalind's 'wedding finger' is a dragon claw. It's a shameful secret hidden behind golden gloves. Rosalind has more than the pressure of a shameful secret weighing her down though, her mother reminds her constantly that she is the one--Rosalind is the one--that will fulfill Merlin's six-hundred-year prophecy about bringing peace to the kingdom and restoring everything--everyone. Her destiny--her future--may just be tied up with her left hand--though she doesn't know it. The Queen is always searching for cures, for healers--even if those "cures" come from whether dark and creepy sources like the mountain witch. But the cures aren't working, and at times Rosalind feels she's being punished for her mother's crimes. Rosalind's destiny weighs heavy on her. Because of it, men--good men--are sent to war AND sent to fight and kill the dragon.

Rosalind is a princess with a heavy burden and some difficult choices. Her story is exciting and one-of-a-kind.

This book reminds me of The Last Dragon by Silvana de Mari, Bella at Midnight by Diane Stanley, and Goose Girl by Shannon Hale.

Becky's List

Here is my list:

1. Tamar by Mal Peet
2. Total Constant Order by Crissa Jean Chappell
3. Before, After, and Somebody In Between by Jeannine Garsee
4. Thirteen Reasons Why by Jay Asher
5. Dragon's Keep by Janet Lee Carey
6. Does My Head Look Big In This by Randa Abdel-Fattah

Alternates

1. Dracula by Bram Stoker
2. Leonardo's Shadow by Christopher Grey
3. The Book of Time by Guillaume Prevost
4. Song of the Sparrow by Lisa Ann Sandell
5. A Crooked Kind of Perfect by Linda Urban
6. Memoirs of A Teenage Amnesiac by Gabrielle Zevin